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A modern Browne medal, struck in bronze. This is
the reverse, showing Apollo crowning a scholar with a laurel wreath.
(Original item not on display.) |
The ‘campus poet’ is a twentieth-century phenomenon, but
poetry and education have been connected since Aristotle lectured on poetics
at the Lyceum in Athens in the fourth century BC. The central place of
Rhetoric in the curriculum of the medieval and early-modern university
fostered both the study and the writing of poetry, and the ability to
compose graceful verses was deemed as worthy an accomplishment in a scholar
as it was in a courtier.
In the eighteenth and nineteenth centuries prizes were endowed in Cambridge
to encourage the writing of poetry, in English and in classical languages,
among members of the University. These benefactions survive to the present
day, and medals have been offered in recent years for Greek and Latin
epigrams on themes such as spin-doctors, mobile phones, and Posh ‘n’
Becks.
Items on display:
MS Kk.3.21: Boethius, ‘Philosophiæ
consolatio’, eleventh century, open at a heavily-glossed portion
of metrical text. MS Ff.6.4: Terence, ‘Comœdiæ
sex cum commentariis’, fifteenth century, open at a scholastic ‘essay’
discussing the study of poetical works. MS
Add. 8915: ‘Orationes et carmina acadamiæ Cantabr: ad
Elizab: reginam 1564’ (Cambridge verses for Queen Elizabeth). MS
Add. 3873: Tripos verses, late sixteenth century. MS
Ff.2.9: William Alabaster, ‘Roxana’, a university play
in verse, seventeenth century. MS Add. 4154:
Musæ Seatonianæ (London: printed by T. Wright for G. Pearch
et al.), open at a handwritten copy of Charles Peter Layard’s poem
on ‘Duelling’ (winner of the Seatonian Prize). CUA
Char.I.4: Samuel Taylor Coleridge, Ode on the theme ‘Sors misera
servorum in insulis Indiae occidentalis’ 1792 (winner of a Browne
medal). MS Add. 8812/58: William Chapman
Kinglake, ‘Byzantium’ 1830 (winner of the Chancellor’s
Medal). CUA ENGL/1/155: Ted Hughes, ‘The
ear-witness account of a poetry-reading in Throttle College, before the
small poets grew up into infinitesimal critics’, 1953. A Chancellor’s
Medal for an English Poem.
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Coleridge’s
Greek ode was first printed in full in 1893 as an appendix
to an edition of his poetical works, the text being taken
from a manuscript displayed in the exhibition. Coleridge made
a ‘literal translation’ of the first four stanzas:
‘Leaving the gates of Darkness,
O Death! hasten thou to a Race yoked to Misery! Thou wilt
not be received with lacerations of Cheeks, nor with funereal
Ululation – but with circling Dances and the joy of
Songs. Thou art terrible indeed, yet thou dwellest with LIBERTY,
stern GENIUS! Borne on thy dark pinions over the swelling
of Ocean they return to their native Country. There by the
side of fountains beneath Citron Groves the Lovers tell to
their Beloved, what horrors being MEN they had endured from
MEN!’
Ver.7.89.187. (Printed document not on display.) |
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