STATE AND SOCITEY

 
NPR.Misc
Part of a poem from The craftsman, No. 185, January 1730. ‘W–––’ is Robert Walpole, ‘N–––k’ is Norfolk, his home county, and H––v––r is Hanover. Daniel Defoe and Nathaniel Mist both stood in the pillory after convictions for libel. From NPR.Misc. (Printed document not on display.)
It has sometimes been suggested that poetry is too pure or unworldly an art to engage in politics. Nevertheless, whether writing scurrilous doggerel, more elaborate satirical essays on human folly, or works of dignified and elegiac protest, poets have long intervened in public life. Much of the verse dashed off to land blows in debate is of negligible literary merit, but the compassion which can underlie strong political feeling has occasionally given rise to major works. The thousands of metrical squibs printed in the furtherance of factional party wrangling show that verse has been seen as an effective weapon by its practitioners, and in some societies the very act of writing poetry has assumed a political dimension, as a form of dissent from state control.

Items on display:

MS Cholmondeley (Houghton) 74/20, 24 and 49: three poems against Robert Walpole, seized by government agents from the printing shop of Richard Francklin, examined by censors and docketed ‘Scrutore 3 Sept 1730’. MS Add. 8487/4: Siegfried Sassoon, ‘Glory of women’, 1917.

MS Nn.3.45 The opening of the fourth satire of the Roman poet Juvenal, in which the poet ridiculed the emperor Domitian. From a manuscript written at the turn of the sixteenth century. MS Nn.3.45. (Original document not on display.)